... light blooming above her overtakes her form and creates a lit outline of her body while her features appear, slightly visible. Realizing my ability to alter the shot through simple changes, I pull my car forward to create intense shadows on her facial features while not withdrawing from her outline. The longer the shutter, the smoother and brighter the photo will appear. I look on my shutter wheel and although there in no setting lower then 1/15, there is a manual setting with an open shutter. My film has 18 photos left. The button clicks in to place as I flip the shutter onto manual. The viewfinder is offset, I struggle to reposition my camera one more time, making sure none of my model's limbs are cut out. I tell her to stand as still as possible; I know that if she moves the photo will be blurry and unusable. Only ...

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