... different places. There are no crescendos or diminuendos in Lied as it changes mood more suddenly than Chant de L'alouette. Lied is generally a lot less flowing and more staccato than Chant de L'alouette and so these sudden changes are a reflection on the piece as a whole. The main melody in Chant de L'alouette and Etude in F is played in the right hand with accompanying chords, arpeggios and harmonies played by the left hand. Whereas Levy's Lied has the main melody mostly played in the left hand, with accompanying staccato chords in the right. This changes in bar eleven as the hands swap and the right plays the main melody, then changes back again in bar nineteen. In Etude in F, the accompaniment helps the piece to sound flowing and smooth with the arpeggio-style patterns filling in any gaps in the music. Lied, on the other hand, uses the ...

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