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... major.) For example, in the first two bars beat 1 of bar 1 uses the noes A and C (chord V) then, the three semi quavers contain all the notes of chord IV (EGB) and the A and F just after beat four are from chord V. In the second bar, this trend continues; just after beat 1 notes from chord five are used (F and C in clarinet 7 and C and A in clarinet 8 and so on. Here, it is important to note that the notes from each chord only sound with notes from the same chord, no overlapping of notes is heard. This is a contrast to what happens later in the piece. Later in the piece, tonal blurring occurs which means that the notes from different chords (chords IV and V) sound at the same which results in a slightly dissonant blurred harmony. There is ...