... previous experiences. Also they compare one another's attributes when it comes to fighting and they try and better each other, their main theme is one of ego. Referring back to the other side of the characters the women are "out ...

... large frames based around the idea of a gallery and therefore, in the preparation of these frames we had to make sure they were sanded down to avoid splinters. Each frame was then painted to give it a smooth, safe ...

... as: How much time off work she would take, how much it would cost the company etc. So I was reluctant to let her carry this baby but was persuaded in the end. We also looked at other aspects that ...

... linking all aspects of the theatre, making it fit together as one. Thus Total theatre. Total theatre consisted of five main aspects, colour, rhythm, action, words and line. Craig wanted to make costume, stage and set all completely from scratch; ...

... In Source D, there were many "whoremongers" who could persuade you into paying them and doing bad deeds. There were "thieves" who are very capable of stealing off anyone because the people are so tightly packed. This was a huge ...

... relevant to everyone's own unambiguous character, going upstage and downstage making precise, their movements. Lit by Par Cans situated on the floor, creating massive shadows on the projection screen, Eager Boy had the most definite and outstanding movements, by means ...

... sharp. If anyone touched them, you would loose a finger due to blood-loss. His spots throughout his body resembled desiccated blood. Hitler was waiting for the games all year, all he desired was a team to play with him. Throughout ...

... who are not speaking so that the audience would know who is speaking. After the introduction of The Complete Works of Shakespeare (abridge), the spotlight dims out leaving the stage completely pitch black and the actors prepared for the first ...

... detached contemplation and judgement while the dramatic overwhelms reason with passion and emotion, the spectator sharing the actor's experiences. Brecht felt that drama could instruct and change society; therefore, it should be political. He believed that effective theatre should bring ...

... we usually done the same routines. Each costume we had to wear during each movement piece, looked incredible because they didnt half go well with the movement piece. Each costume was designed brilliantly because they fitted each individual well and they ...

... bar, they argue about who drives and say: Judy: 'Fine, You drive' Just as she says this, they freeze the scene and in slow motion she throws the keys to Judy, they stare at each other for a second and then carry ...

... yet she is a young girl, this means to attain the desired affect all I had to do was act like I would normally but use a slightly softer tone of voice. Occasionally I would sneak in the odd hint ...

... was probably why many of the jokes and puns cracked in the course of the play were lost out on the audience. However, I found it commendable that the actors had kept this in mind and had altered parts of ...

... were set on a swivel stage and the characters turned the stage to the position they wanted it in. In both the plays none of the set was particularly detailed and I found that the simpler it was the more ...

... But if the lights were dim or even on black out then the mood would change, darkness is a good tool to use, but used too often can ruin a play. Darkness played a major part in the play; it ...

... is going on in the play. On the other hand the principal characters, the boy and the girl and the angel had great gestures and expressed themselves appropriately to transmit emotions to the audience. Some of the costumes in the ...

... an advert. As it an advert, I think we should advertise bullying in a more exaggerated way, so that first, the audience will find it amusing, but realisation will sink in on how awful bullying is. Sukey's group had to experiment ...

... imaginary circumstances. The answer to these simple questions can be a springboard to creativity and inspiration, because it allows the actor to realize the fact that, he is living out a fictional life, a figment of the writers imagination, with ...

... was deliberately thrown. "Oh, dear. It's got stuck in the pylon. What am I going to do now?" I think that it was on purpose to get Terry to fetch the Frisbee as Pete was lying" I Know. Only trouble ...

... they could deliver them to the audience. The acting was exaggerated and melodramatic, it was believed that each emotion had a unique and specific pose, expression, gesture, etc.; a system of bodily sign languages was created so the actor could ...

... they could deliver them to the audience. The acting was exaggerated and melodramatic, it was believed that each emotion had a unique and specific pose, expression, gesture, etc.; a system of bodily sign languages was created so the actor could ...

... and left him quadriplegic, Ken attempts to persuade the hospital to discharge him, letting him die with dignity. They fail to see that this is exactly what he wants, and characters such as Mrs Boyle try to convince him otherwise ...

... more laid back character. She would be average build, as opposed to Yerma's thinner build. Her voice would be gentle, although require enough power for the audience to hear. In Act 1, Scene 1, I would direct Maria to enter in ...

... as soon as you came into the room they started rehearsing. The two hours were very intense because the time was so valuable and we saw immediately how doing a play could become absolutely absorbing if you were incarcerated." To show ...

... see that Haemon is not being treated with respect or dignity that he deserves. During Creon's long speech, I would stand patiently, without fidgeting, listening to his words. This would show that I would be prepared to listen to Creon, ...